DIEGO & NAFFOUJ IN A TIME MACHINE

Destination Urbino, Italy! Internationally collected artist Antonio Diego Voci (1920-1985), in 1978 journeyed to Urbino, the birthplace of RAPHAEL 500 years ago!!!  https://diegovociproject.wordpress.com/2020/04/11/raphael-500th-death-anniversary/

The goal was be immersed in the aura of centuries of creative genius.  Diego did at least 9 high quality paper lithographs on stone.  One is “Le Couple” chosen now to be “considered” for the 3rd book about Diego to be published by Stephen Max titled “Artist of a Thousand Faces”.  ( A worldwide search is in progress to find unique faces by Diego for his 100th Anniversary) https://diegovociproject.wordpress.com/2020/04/15/planning-stages-and-you-can-be-featured/

Diego Voci; “Le Couple” Tempera with Gold Leaf 65 x 65cm

Diego’s widow, Helga Voci, has a few of “Le Couple” available https://www.diegovociproject.com/product-page/title-le-couple.  The original was purchased for the Cooprider Family Collection https://www.artworkarchive.com/profile/cooprider-family-collection/collections

KEEP AN EYE OUT! A HIDDEN GEM AWAITS YOU

The Trial framed cleaned up

Diego Voci; The Trial 38″x30″ Framed, oil painting Private Collection

 

We (The Diego Voci Project Team) just learned that James Thomson, Diego Voci Collector, acquired “The Trial” by internationally collected artist, Antonio Diego Voci (1920-1985) from an online Goodwill auction.

James shares;

“I purchased another oil painting by Diego. The canvas measures (31 X 23 inches), framed (38 X 30 inches). On the back is Diego printed and below that in English, the title ” The Trial ” which I assume is the trial of the Apostle’s Peter and John with them in the painting stands the cripple that they cured who stood up with Peter and John to defend the Apostles before the threatening Jewish Council. The Council asked them “By what power or in whose name did you do this?””

 This painting title “The Trial” was during the time the DIEGO signature began on his works (ca. 1966).  Diego began an exclusive contract to NAFFOUJ Gallery. The frame is the style commonly used by Naffouj for DIEGO as well as other artists. The biography on the back was written by Joy Gibson before she married Jawdat Naffouj. Joy now resides in Canada. Our estimation is the work is around 1966. The historical interpretation certainly to fits what James Thomson wrote.

Visit: The Diego Voci Project website!

diegovociproject.com image for social media and other platforms

 

LILIANE DUSSARD #HISTORY WITH DIEGO

Helga Voci, widow of Diego Voci shares;
“In the beginning of the seventies we moved to #Bavaria, where my parents lived and where they intended to build a house and Diego was supposed to help them. So, we rented an apartment in the same #village. At the same time Diego did not like doing business with Joy Naffouj anymore; and Liliane Dussard, a #French lady who had been working for Naffouj in her #gallery for a while, wanted to change also.

So, Diego and Liliane decided to work together (around 1972 for several years). Liliane came to our house and she started to take contacts with #Nürnberg Ladies Clubs and Officers’ Clubs and had soon several dates for #exhibits. Now we needed frames, as everything was an #experiment. In the village, we found a #wood joiner and Diego made models of frames, so he started to do a collection of frames in different sizes, then we got these frames and Diego`s atelier became a frame workshop. Diego painted on #canvases and Liliane and me painted and #gold-plated the frames under Diego`s instruction. We were almost working day and night, as everything had to be ready for our first exhibit.

And then we started our first exhibit in the Officers’ Club Fürth near Nürnberg and it was a very big success.”

(This history is a little fuzzy with dates): Liliane Dussard (deceased now) represented Diego beginning in 1972 and times throughout his years until 1985.

Liliane arranged art auctions at Officer’s Club, hosted Gallery exhibits for Diego and shared Holidays with Helga and Diego. (see Art Auction flyer below for 1985 “Dussard Art Studio” in Taunusstein). Artauction (1)

Lilian Dussard moved to the United States in 1973 and opened a gallery with her name: Dussard Art Gallery in Strafford, Virginia.

Retour du Travail #451-260

Diego Voci; “Retour du Travail” #451-260 oil on canvas

We know Liliane’s had this painting by Diego Voci in her own collection: “Retour du Travail” #451-260

NOT ACCURATE! CHECK YOUR “FACTS” ABOUT DIEGO VOCI!

eBay ad falsely stated by a seller in Swanton, Vermont stated:

“THIS DRAWING IS FROM THE LATE 50’S EARLY 60’S”

DIEGO VOCI SIGNED DRAWING (AUTHENTIC) EBAY image for post March 22 2017

NON ACCURATE.

FACT: Antonio Diego Voci (1920-1985) did not sign his works “Diego” until the last half of the 1960’s when Canadian art dealer Joy Gibson – Naffouj began representing the artist.  It was through the encouragement of Joy and her husband Dr. Jawdat Naffouj that the Diego signature took hold.  Before that all the art works were signed some form of VOCI.  (See 1965 ad in Zurich newspaper https://diegovociproject.wordpress.com/2014/11/28/attention-look-for-voci-not-diego/

During the time Naffouj was selling works signed “Diego” Galerie Dahms in Wiesbaden continued to sell works to the upscale German market signed some form of “Voci”.

NOTE: We can find no evidence that the Diego Voci Project Team was the source of this misinformation.

Coops Signature Box w TM Marks 29 NOV 2015

ANOTHER STOLEN #DIEGO™ PAINTING!

Actually it was a #legal steal auctioned on April 30 2016 at a price way to low! Estimate was $300-$500 for this #gouache signed Diego Voci 30” x 25” framed.

Harlequin and Three Children Image

On the back “Harlequin” – (left) was written

Prof Diego Voci

No 947-UTT?

DM 600 PAID

DR SIEGEL MD

 

Helga Voci, Diego’s #widow thought the date of painting to be “time of #Naffouj Galerie or before”.  Actually it was not.  There were no paintings signed “Diego™” until Dr. Jawdat Naffouj and Joy Naffouj made a #contract, that’s when the “Diego” signature began.  This artwork was after Naffouj probably sold by Galerie Dahms. Our records at the DiegoVoci™ Archive notes Diego experimented with everything; cooked #glass paint, #sand based canvas and yes, #roller brush.  The Diego™ gouache was done circa 1973, a time when he experimented with a small roller brush, typical for painting walls.

“Three Children” is another roller brush example, signed Diego, Schwetzingen* 1973.

(*Their home/studio near Mannheim and Heidelberg).

Coop Cooprider

Diego Voci Historian

Authorized Agent for DiegoVoci™ Estate

#FOUND: A 61 YEAR OLD #DiegoVoci™ #PAINTING

“DiegoVoci™ was close to my dad and mom, Coop and Patti. I am one of their 6 daughters Gabrielle (Cooprider) Sillas. We were raised and schooled in Germany and met Diego several times while living there.

In September, 2015, I visited Germany and stopped in #Kaiserslautern, #Ramstein AFB, #Landstuhl, #Weilerbach, and Erfenbach where I lived – the last Cooprider home in #Germany.

While in Landstuhl I surprised Jawdat #Naffouj to say “Hello” at his Naffouj Gallery, where many DiegoVoci™ Collectors bought their Diego #artworks. I babysat Jawdat’s children Alia and Jabby when I was younger, so I saw Diego a lot – he even taught me card tricks.

Jawdat said, “I have something special to show you that your dad has never seen.” Jawdat took time to show me what he says is a ‘self-portrait’ by Diego done in #1955.  What do you think?

NAFFOUJ Gallery POST D VOCI RED SIGNATURE Gabi found  Sept 2015

Diego signed the painting in red “D Voci”. Jawdat told me it was one of his very “proud possessions” that he was sharing with me. He sees the oil painting as a very precious belonging and has no plans to let go of it!  Joy (nee Gibson) Naffouj and Jawdat were the representatives who convinced ‘Antonio Diego Voci’ to only sign “Diego”, which he did from 1966 until his death December 10, 1985.

My dad, Coop, has been the DiegoVoci™ Historian since 1973. He wrote the “Antonio Diego Voci” biography for Wikipedia. When collectors from the 70’s contact him now, they mention an 8-page catalog – my dad made that, too(*). About the signatures, dad said in Diego’s earliest years he signed only a red ‘Voci’ often with a line under the red.” – Gabriella (Cooprider) Sillas

Send the DiegoVoci™Project your story. Did you meet Jawdat Naffouj? Siegfried Dahms? Joy Gibson? Christine Khan? Or did you meet Helga and Diego? What did Diego say? And do?

Send it to the DVP e-mail address: diegovociproject@gmail.com  

(*) To see the 8-page Catalog go to Artifact Collectors:  http://www.artifactcollectors.com/diego-history-4330818.html#43392

Dad & Kami posted it in May of 2010 when they started the DiegoVoci™ History Thread!

AC P of W #292 1/30/16

#Diego Voci and Gigi #GUADAGNUCCI gave us #Passion and #ART

#”The Beauty of Diego”

PREVIEW:   blur.by/1xo4tx2   …..click …. turn the pages …come on….do it, now!

Purchase at cost from: blur.by/1xo4tx2

The Beauty of DIEGO

“The Beauty of Diego” is a handsomely bound 12” X 12” high quality, hard cover Coffee Table Book with more than 100 colour images of Diego’s works never before published in book form. The book is conceived as a Fine Art Book for Art Lovers everywhere to enjoy and display. Published in support of the Diego Voci Project and Estate. Purchase at cost from: blur.by/1xo4tx2

DIEGO Page Sample 1

“The first idea… the first few lines decide the whole work.”  Diego

... #clowns ...

… #clowns …

“A man does not find interest to be an artist …

…. It comes automatically” Diego

 

VALIANT STALLION by #DIEGO

Image

VALIANT STALLION by #DIEGO inj 1968

A must see. “Valiant Stallion ” is a powerful horse’s head in a setting of the surreal. Although DIEGO VOCI was primarily known as a figurative artist, he loved portraying the horse.

“Valiant Stallion” 35” x 23 1/2″ Surrealism Oil on Canvas Under Glass

And while you’re there check out the Horse Genre Board….