ARTIST #DiegoVoci™ #HUMANISM RECEIVES NOTORIETY

Content below is from page 7 of the 8 page #1974 Diego Catalog by Coop Cooprider, #DiegoVoci™#Historian.

Commentary John Krueger Writer for #Stars & #Stripes Part I:

C39 Friends ca. 1966 23 23 x 47 14 #1159-68 ORIGINAL

“Antonio DIEGO Voci considers the human face to be the most direct an effective way to illustrate and to express his intimate #poetical #world.  DIEGO’S deep concern for people reveals the painter’s #humanism, his #gift for perception, his #warmth, #equilibrium and #serenity of vision which are very characteristic of the #Italian temperament.

DIEGO’s oil #portraits of young #women – with #dark melancholy eyes, sensuous lips without a smile – convey a message of noble #beauty that transcends the physical portrait and becomes the revelation of a #soul, bringing to mind the sorrowful mysticism of the Italian painters of the XVth Century.

DIEGO’s great reverence and admiration for the Italian painters of the XVth and XVIth centuries, above all #Michelangelo and #Botticelli, can be sensed in his works, which are far from being a mere imitation of the classics and could be better described as a modern interpretation of the immortal ideals which have, through the centuries, uplifted the spirit of humanity through beauty artistically expressed.

Besides oils, #DIEGO works in #charcoal, #watercolors, #ink, #tempera, and #pastels.  Sometimes he combines ink and water color in a way reminiscent of #Japanese #art.  The dark outlines enhanced by splashes of flowing color given an impression of form in movement which is exceedingly decorative.

DIEGO is a painter of uncommon versatility and prolificacy, an intellectual devoid of all intellectualisms, an intelligent interpreter of #modern art movements who possesses the moral courage to remain faithful to his own personal dreams, inflexibly rejecting all influences alien to a nature nurtured under the glorious Italian skies, by the examples of the greatest artists of all times.”

Courtesy of the Diego Voci Project www.diegovociproject.com

AC DV History #18 5/7/2010

MOTHER’S PORTRAIT BY DIEGO AND NEW GENERATION

Mother's Portrait 003

This painting signed “D. Voci 1964” is an important historical find.  Why?

It fills a gap.  We have images of 2 watercolors Diego did as a gift to his nephew Tony signed D. Voci 1957 when they traveled Europe together.  We have the larger realism “Alt und Yung” signed “A.Voci” when Schlossgalerie, Zurich provided Diego a studio for R. Buri’s wealthy clients.  All three are represented in the Wikipedia biography Antonio Diego Voci (1920-1985) http://en.wikipedia.org/wiki/Antonio_Diego_Voci

Where were Helga and Diego living in 1964?  Helga wrote:

We came to a small medieval town in northern Italy, called Asolo with only 1000 inhabitants. We rented an apartment in a very old house in the middle of the town with a big terrace and Diego made his first real Studio. He mostly sold in Zurich in the Schloßgalerie.” 

The “Diego” signature began in 1965 with Joy Gibson, a Canadian art dealer.  That signature would dominate all others for the next 20 years.

Mike Kennedy is part of the “New Generation” of “Diego” collectors through the inheritance of his mother’s portrait.  Mike reached us through diegovoci.com and we requested additional information.  We await with eagerness the photos of his family and Diego.

12.19.2014 Mike Kennedy Curator Email Section for PofW

01.07.2015 DVP Email to Mike Kennedy Gmail wo Mike email address

0110.2015 Mike Kennedy Email to DVP without email address for confidentiality

To all viewers who had any experience with Diego, tell us.  Photos, too.  You may not think a sentence or two is important but it is… as you can see in the above email correspondence from just one collector.

AC P of W #250 2/19/2015