HAPPY #KWANZAA 2017 – TO ALL RELIGIONS

Today, is the first day of KWANZAA, a week-long holiday honoring African culture and traditions. Antonio #DIEGO Voci was fascinated with all cultures. #Traveling he embraced traditions of many nations. Shown here is an African Mother and Child resembling Diego’s Madonna and Child genre which we posted just 6 of  last week.

“Young Mother With Child” 80cm x 40cm ,Oil on Canvas, #1061-569. Sold December 1976 by “La #Gondola” risttorante in Germany where DIEGO loved to dine!

Kwanzaa is celebrated in the United States, as well as other countries with populations of African descendants. It is a holiday which celebrates and honors #African culture in not only the #African-American community but also in the World African community.

This cultural festival from the 26th of December to the 1st of January that climaxes in feasts and gift giving, was initially established to unite African-Americans with their African roots and heritage.  Kwanzaa is celebrated by lighting a candle daily, beginning today, 26 December 2017, through January 1, 2018 when it ends. #Happy Kwanzaa all!

For more on Diego’s travels see our “Antonio Diego Voci” – History Thread on Artifact Collectors, where the Diego Voci Project has posted numerous stories shared with us by Diego #Collectors”. Here is one you’ll get a kick out of Helga Voci’s story about Diego the “perfect Indian“:   https://www.artifactcollectors.com/diego-history-4330818/Page4.html

 

 

 

 

 

 

 

 

 

 

 

 

 

#CRAFTBEER #TATOOS AND NO SMOKING

…are a runaway trend in today’s “#New_Generation”…

Does the artwork of a long-dead artist fit into the lives of the “New Generation”?  Tastes change with time. For example, the constant smoking of internationally collected artist Antonio “Diego” Voci (VOH-chee, 1920-1985) would not be welcome in today’s trendy gathering places where no smoking is allowed.  40 cigarettes a day shortened Diego’s life when his lungs gave up.  45 years ago, at the La Gondola in Ramstein, Germany smoking was accepted. That’s where I dined with Diego on several occasions.

A good red wine, a tablecloth with an ash tray would be Diego’s setting as he perused Italian fare on Gigi’s menu.  Diego was most comfortable with extraordinary people in an ordinary setting, playing cards on the Mediterranean with fishermen in some poor village.  Diego’s specialty was portrayal of people.

As Victoria Williams wrote in 1974: “In the South, DIEGO says, people live their lives more openly.  They are more observable.  They gather in groups to talk on the street, they play games in their yards; they sit in the parks, – lovers, strangers, the poor, the rich, mothers, fathers, children, happy people, sad people, – people who have experienced – who are experiencing.  PEOPLE … living, feeling, being… these are the subjects of DIEGO.  He interprets freely on canvas what he has experienced.”

“An Italian under the rule of the Sun DIEGO paints richly.  He is drawn to living colors – warm, bright, dramatic.  His paintings radiate.  Like DIEGO, they dominate the space around them.  They demand attention.”  

One thing has not changed.  Art remains very much in the lives of our current generation.  Tattoos today are a fine art, very personal and proudly displayed on the aficionado’s skin rather than a canvas on a wall.  (Notice on The New Yorker cover the small of the lady’s back above the belt line).

The “New Generation” is not blind to quality and value. There are about 4,000 oil paintings signed “Diego” on 2 continents and some of them are appearing at absolute bargains. So be on the lookout.

GOOGLE, “Diego Voci” for more!

Happy Holidays!

Coop Cooprider, DIEGO Historian

DIEGO VOCI PROJECT