HARDEST PART OF ART BUSINESS? KEEP FROM FAILING!

How Does a Gallery Stay in Business for 35 Years? Lisa Spellman on 303 Gallery’s Staying Power and the Hardest Part of Being a Dealer

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DIEGO VOCI #HORSES

DIEGO & HORSES! He loved the majestic presence, the powerful muscles showing their strength, and the images he’d seen be Michelangelo and Leonardo Da Vinci. Diego felt the power.

Each work created here by DIEGO VOCI shows how Versatility was Diego’s strength. Driven to experiment in every genre while remaining distinctly Diego.

#Brooklyn Museum’s #History of #Black Radical #Women Draws Its #Power From the #Grassroots

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https://news.artnet.com/exhibitions/we-wanted-a-revolution-brooklyn-museum-936359

Diego Voci visited Africa inspired by the beauty in women! See below!

 

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Diego Voci: Composition Africane  76 x 56 CM (in background African Sculpture)

Click on link: https://www.diegovociproject.com/product-page/title-composition-africane

 

 

 

 

Magnetism of Diego Never Loses Power

In this case it was quiet power of women, who make the world hold together.  The words of collector Stanley & Sibylle Wilcox follow this Diego image.

Diego Original

Stanley Wilcox shares with the Diego Voci Project:

“The title of this next piece is titled “Bauer bei der Ernte” (Farmers at Harvest). It measures 60 x 80 centimeters without the frame. When we first saw this large oil, my wife Sibylle and I were deeply moved by the labored facial expression of the woman standing in the foreground holding what appears to be a grain basket, and the other woman bending over a large half barrel basket with a cloth grain sack. It depicts honor and respect to hard working women in what I believe to be a childhood memory in a rural setting near to where Diego was born in Gasperina, Calabria, Italy.

Hand harvesting wheat was and still is practiced on small family farms in this region. (See interesting reference article and 1950’s/60’s photo posted at Scordo.com – Italian Food Recipes and Lifestyle: “The Wheat Harvest and Memory: Returning to Calabria”.)

Note that an almost identical scene is depicted in the background, strengthening the paintings depth and visually balancing the piece. The men are outnumbered 2 to 1 and are merely serving the role of overseeing the harvest in what I interpret as diminished supervisory capacity influenced by the overwhelming endurance of these women.”

Visit the Diego Voci Project at www.diegovociproject.com to learn more about Diego.