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The presence and recognition of Diego Voci (1920-85) is expanding each day in the world of art.
Here is a recent discovery of a Diego Voci collector Ann Birkhimer whose daughter Karen shares with us their family’s Diego collection.
The beginning…..”During 1972-74 at one of the officers clubs (not sure but may have been Rhein Main) near Wiesbaden, Germany the paintings were purchased. My father was stationed there on three separate occasions, the last being 1972-1976.”
“My mother (Ann) bought them because she just loved them all. One of them is in the cubist style and quite large (my brother has that one) and it was quite unusual that she (Ann) would purchase something so “modern” as she has always tended to be rather traditional in her tastes. The painting is called “Masks”. But, for some reason the painting “spoke” to her and she bought it along with the three other more traditional paintings. Those three all look sort of Spanish or Moroccan.”
The “Masques en blue et rouge” is done in “glass paint” which is unique method of material to use for painting. Here are some other examples of “glass paint” paintings by Diego https://www.pinterest.com/diegovoci/glass-paint-diegovocitm/
The inspiration for the Spanish “Une Village en Espagna” and Moroccan paintings came from Diego’s love of the people and warmer climates. Here is an historical excerpt from Helga’s (widow of Diego Voci) biography of her and Diego:
“The weather was very bad in London and Diego wanted to go south to the sun. So we decided to go to Spain in October 1961. We took the car and went southward, stopped in several cities and after about 1 month we arrived in the Andalusia region in a very beautiful little fishing village called Almunecar. This was an artist`s colony, all kind of artists from different countries.
We stayed until January 1962. We had a beautiful and very interesting time with long discussions, Diego also made paintings and drawings but he never kept anything, when the painting was finished he was not interested anymore and made presents to friends. He was very popular among the Spanish people also the higher class and he felt wonderful.
In February 1962 we left Spain and went to Morocco, first to Casablanca and Tangier and then he was supposed to go to Marrakech to do some work in an American Officers’ Club. I had to go to Germany for personal reasons, so I flew to Munich while Diego stayed in Marrakech.”
Visit www.diegovociproject.com to view and learn more about Diego Voci.
From time to time DiegoVoci™ would pay homage to a fellow #artist of #prominence, as in this rendering inspired by the work of #British #sculptor Henry #Moore.
DiegoVoci™ “Homage to Henry Moore” 24″ x 31 ½” oil on Fiberboard
No major #museum of #Modern #Art is without a large #Henry #Moore monumental #sculpture. To the surprise of many, Henry Moore created #maquettes small enough to fit on a #breakfast tray, and then employed #artisans and #craftsmen to build his #grand editions to #scale.
AC P of W #75 8/6/2012
DIEGO VOCI: #Italian #Girl, #584, ca 1968 28″ x 2″
#Fauvism is the style of les Fauves (#French for “the wild beasts” ), a short-lived and loose group of early twentieth-century #Modern artists whose works emphasized #bold and #strong, vivid #colors often in contrast to the area defined. Fauvism as a movement began around #1900 and continued beyond #1910.
A favorite of great #museums, fauve #painters included its leaders Henri #Matisse and Andre #Derain joined by Kees Van Dongen, Maurice de #Vlaminck, Alexej #Jawlensky and others.
View additional paintings on www.diegovociproject.com
AC P OF W #66 6/9/12