DIEGO VOCI #HORSES

DIEGO & HORSES! He loved the majestic presence, the powerful muscles showing their strength, and the images he’d seen be Michelangelo and Leonardo Da Vinci. Diego felt the power.

Each work created here by DIEGO VOCI shows how Versatility was Diego’s strength. Driven to experiment in every genre while remaining distinctly Diego.

#FAMOUS #LAST #PAINTINGS!

#HOPPER #MICHELANGELO #VERMEER #CONSTABLE #DEGAS #EAKINS #ROTHKO

https://news.artnet.com/art-world/famous-last-paintings-1437613

ARTIST #DiegoVoci™ #HUMANISM RECEIVES NOTORIETY

Content below is from page 7 of the 8 page #1974 Diego Catalog by Coop Cooprider, #DiegoVoci™#Historian.

Commentary John Krueger Writer for #Stars & #Stripes Part I:

C39 Friends ca. 1966 23 23 x 47 14 #1159-68 ORIGINAL

“Antonio DIEGO Voci considers the human face to be the most direct an effective way to illustrate and to express his intimate #poetical #world.  DIEGO’S deep concern for people reveals the painter’s #humanism, his #gift for perception, his #warmth, #equilibrium and #serenity of vision which are very characteristic of the #Italian temperament.

DIEGO’s oil #portraits of young #women – with #dark melancholy eyes, sensuous lips without a smile – convey a message of noble #beauty that transcends the physical portrait and becomes the revelation of a #soul, bringing to mind the sorrowful mysticism of the Italian painters of the XVth Century.

DIEGO’s great reverence and admiration for the Italian painters of the XVth and XVIth centuries, above all #Michelangelo and #Botticelli, can be sensed in his works, which are far from being a mere imitation of the classics and could be better described as a modern interpretation of the immortal ideals which have, through the centuries, uplifted the spirit of humanity through beauty artistically expressed.

Besides oils, #DIEGO works in #charcoal, #watercolors, #ink, #tempera, and #pastels.  Sometimes he combines ink and water color in a way reminiscent of #Japanese #art.  The dark outlines enhanced by splashes of flowing color given an impression of form in movement which is exceedingly decorative.

DIEGO is a painter of uncommon versatility and prolificacy, an intellectual devoid of all intellectualisms, an intelligent interpreter of #modern art movements who possesses the moral courage to remain faithful to his own personal dreams, inflexibly rejecting all influences alien to a nature nurtured under the glorious Italian skies, by the examples of the greatest artists of all times.”

Courtesy of the Diego Voci Project www.diegovociproject.com

AC DV History #18 5/7/2010

“NO TOMORROWS, NO YESTERDAYS, ONLY THE #MOMENT” …#DiegoVoci™

Content in excerpt in page 4 of 8 of the 1974 Diego Catalog by Coop Cooprider, #DiegoVoci™#Historian begins with this #DiegoVoci™ Quote:

Have you done your best work yet? “No”
When will you begin? “As soon as possible.” 
#DIEGO INTERVIEW, DEC. 1973.

C18-2 The Fishermans Miraculous Catch 1974 #24943  35 12 x 51 (2)

DiegoVoci™ “The Fisherman’s Miraculous Catch” 1974 130 x 90 cm, oil on sand base canvas (experience DiegoVoci™’s unusual awareness, a wide & deep understanding of the world and the ability to make it visible as in the example of this painting above)

Notes by Coop Cooprider:

“DIEGO is an #artist. He looks like an #artist.

For DIEGO there are no tomorrows, no yesterdays, only the moment. Now is important. Enjoy.

To limit DIEGO to a “single style” is to #cage the #Lion. He can paint anything and he often does, yet there remains a strong vein, a unity and consistency in his divergent moods. #Pastel, #oil, #glass paint, #surrealism to #super-realism have all experienced the DIEGO technique – but mostly DIEGO is #people!

DIEGO #loves #people. Truly loves. People are his #life and his #work. The people on his #canvas feel. They have experienced. They have lived. They are people for which one feels compassion.

DIEGO needs canvas as well as people. 

“I must to paint. To me is important the white canvas. On the canvas I can begin again. This is my life.”

There is a reluctance in DIEGO to pinpoint his early inspiration. But he has said,

Michelangelo is the greatest There are so many. Leonardo da Vinci, Boticelli, Rembrandt, And Miro, Chagall, Picasso. So many.”

Where are the thousand words to describe a DIEGO picture? DIEGO says,

“The first idea … the first few lines decide the whole work.”

DIEGO’s first few lines are #magical. Composition comes easy. So easy. Watching DIEGO in concert with paint makes one think tying shoes would be more difficult.

Such ease. Such depth. Such strength.

DIEGO possesses an unusual awareness, a wide and deep understanding of the world, and the ability to make it visible. A DIEGO demands your attention. You may not like it, but you will be forced to react. My advice: don’t deny yourself a DIEGO. He is not “just another painter,” he is a master in the making.” 

Courtesy of DiegoVoci™ Estate: diegovociproject@gmail.com 

AC DV History #15 5/7/2010