“LA #LETTURA” – LADIES #READING by Antonio DIEGO Voci

La Lettura #571-689 Feldmann 1977 60x70cm

Diego Voci; “La Lettura”,  #571-689, oil on canvas, 70x60cm

Diego Voci (VOH-chee 1920-1985) captured the most out of his #muses, not only the faces of people he met but the culture and everyday life. In this painting, you see ladies “reading” and relating. Diego, who is the “Artist of Thousand Faces”, absorbed the different cultures he traveled to.

The elongated neck… #Modigliani was the first artist to create this diversion in figurative art. The elongated neck became an embodiment of character adding to Diego’s creation of faces.

Where is this painting now? And the original owner? Mr. Feldmann from Maryland (who originally purchased this painting back in 1977).

View more of Diego Voci, Artist of Thousand Faces, on Pinterest: https://www.pinterest.com/diegovoci/faces-diegovocitm/

DiegoVoci™ 1967 COMMISSION FOR YOUNG LOVERS IN GERMANY PART I

The DiegoVoci™ Project (DVP™) is pleased to bring you yet another fantastic recollection by Diego Collectors John and Helen Barnhart who got to know DiegoVoci™ quite well.

Mother and Child 1967 Image for Post

“Mother and Child” by DIEGO VOCI, Oil and Sand on Canvas,1968 32″x 24″

“MOTHER AND CHILD” and #WEDDINGS

In March of 1966, when Lt. John Barnhart got off the plane in Wiesbaden, Germany to take on his assignment in Bitburg for the Air Force, it was pouring drown rain. John says, “I thought I was at the end of the world.” That was soon to change. After he was checked in to the Bachelor Officers Quarters, John spotted another Bachelor Officers Quarters with women and asked a fellow officer, “What are all these females doing at an AFB?”  He was told most were teachers and fellow officers. John’s eyes lit up. He saw one of the young ladies not long after – her name was Helen Jamrog, a teacher. About 6 months later the couple married:

Wedding Picture 2 OCT 1966

Helen and John Barnhart, October 17, 1966 Bitburg, Germany

Now, almost 50 years later they are still happily married and are happily enjoying the oil paintings John and Helen commissioned directly from DiegoVoci™ himself.

In November 1967, on a Sunday at an art exhibit at the Bitburg Officers Club hosted by Diego, John went up and introduced Helen and himself. Diego asked, “Would you like something?” The couple put their heads together and replied “Yes, we want a painting of a Mother and Child.” Diego grabbed a pencil and quickly drew a sketch study using Helen’s face and long hair and asked “Like this?” Helen also wanted a large horizontal “Still Life” for which she was very specific, wanting “pears, vases, and our small coffee grinder” they had purchased in Europe. Diego said, “I can do something for you” and sketched a study for the still life right there. All in agreement Diego insisted that the commission would not be “through the club it is only between us.

In February of 1968 Diego sent them a note to come and visit to see the progress on their 2 oil paintings. It was not common for Diego to have the client’s input, but due to the Barnhart’s specific requests, he made an exception. A friendship ensued. It was in the VOCI Wiesbaden home that John and Helen first met Helga. Diego and Helga had just married in January of ’68 (See:  http://www.artifactcollectors.com/diego-history-4330818/Page2.html#43810.)

Diego, seeing Helen’s small VW they had arrived in was worried that the paintings would not fit. But, on a future visit in March of 1968 to pick up their finished Diego paintings Barnhart’s arrived in a John’s new dark blue Mercedes 250 SE. Size would not be an issue for the transport of their Diegos. Wine and cheese were a tradition when guests visited the Voci home. A comfortable atmosphere for all. Diego soon revealed the paintings in progress to John and Helen.

When Helen noticed that the “Still life” “did not have the pears where she wanted them and. . .  WHOA.

Dear Reader, the “Still Life” story is told in Part II following this Part I

One thing John had noticed during their many visits was how much Diego smoked and asked him, “Do you worry about how the smoke effects the condition of the art?” Diego replied “No. Not certain if I like art or smoking better.” John purchased five cartons of cigarettes and gave them to Diego as a gift. Little could they know Diego’s life would be cut short from cigarettes. See DiegoVoci™ BIOGRAPHY:                 https://en.wikipedia.org/wiki/Antonio_Diego_Voci

And, John’s new Mercedes intrigued Diego. Diego liked grandeur and asked John to take him for a ride. John agreed but said, “Please, no smoking in my new car”. Diego simply said, “Yes.” After Diego’s ride in the classy new Mercedes, John and Helen drove back to their home in Ehrang, Germany and have proudly displayed their DIEGO oil paintings since.

John retired from the AF as a Colonel and Abbott Labs as Senior Manager, and Helen from her teaching. Their DiegoVoci™ paintings had been with them for nearly 50 years in Ohio, Maryland, California and Florida. John says, “All along we have loved them.” The Barnharts became avid collectors of art to include Norman Rockwell, Andrew Wyeth, Alan Gough and many antiques they bought in Belgium.

NOW THEY ARE DOWNSIZING – SEE PART II

See available DiegoVoci™ art to acquire at www.diegovociproject.com

WHY DO #ARTCOLLECTORS HOLD ON TO THEIR #DIEGO VOCI WORKS OF #ART?

An example from Diego collector James McClean… shares his two Diego paintings Old Man 31 ½ x 24 #1293-9 and Shepper 31 ½ x 24 #1967-68.

Old Man #1293-9, 31 12 x 24

Shepper #1967-68 31 12 x 24

I have 2 Diego paintings each 80 x 60cm. Both were bought in Zweibruecken from Joy Gibson at showings she had at the RCAF base. The first I purchased in the fall of 1968, The Shepherd, and at another showing in 1969 I got The Old Man. Unfortunately my posting to Germany was only for two years otherwise I’m certain that I would have owned more of Diego’s work.

These two paintings have always been the focal point of our living room and my wife and I enjoy them as much today as when we first saw them. Both paintings have been willed to our eldest daughter one of whom was born in Lahr where I was stationed so they will be staying in our family.”

Writings from Diego Collectors builds the notoriety for Diego Voci and all of his works. We would love to hear from more of our Collectors. In fact, consider writing a chapter in first person for the next Diego biography book.

FOOTNOTE: Joy Naffouj (nee. Gibson) is the former Canadian art dealer who influenced the signature change from A. Voci to DIEGO.

AC 2/3/2014 #165

A Serious Side of DIEGO is Highlighted with “Girl Reading”.

Impressionism and hints of Macchiaioli, the Italian period, http://en.wikipedia.org/wiki/Macchiaioli , characterizes this work of art by Post-war European Impressionistic artist, Antonio DIEGO Voci, captures calm concentration portrayed in this figurative oil painting on burlap.

This painting came from the Private Collection of Naffouj Gallery, a longstanding contract during DIEGO’s mid-career stage as an artist.

C57 Girl Reading  26 x 33 Oil on Burlap Unmounted UNDER GLASS

“Girl Reading”, 33″ x 26″ ca. 1967 oil on burlap

Google and YouTube “Diego Voci” 

Courtesy of www.diegovociproject.com 

 7/2012 AC P of W #71

A #DIEGOVOCI CUBISM MASTERWORK

Beautifully balanced in color composition this, #DiegoVoci cubist piece is from 1972.

Pause for a moment and let this speak to you as if you were in Diego’s mind.

C5 Le Concert de Harliquin 1972 #660  23 34 x 32

Le Concert de Harlequins” 23 3/4″ x 32″ oil on canvas

View more about Diego Voci at www.diegovociproject.com

Diego Voci on Google and YouTube

7/15 AC POW 3

ORIGINAL #DIEGO PAINTINGS? YES THEY ARE! HELP US FIND THE OWNER “DIEGO_FAN”

17 January 2015 diego_fan AC post 4 Diegos

29 June 2015 AC diego fan all 4 Diegos one image

The Diego Voci Project attempted to reach out to “diego_fan” on Artifact Collectors http://www.artifactcollectors.com/original-diego-paintings-88754.html#88754 through private message but received no response.

Any information or the whereabouts of the owner, please contact diegvociproject@gmail.com or visit www.diegovociproject.com

July 29, 2015 AC ADV #473

#DIEGO Portrayal of a German #Supper

John and Cindy Silvers were stationed at #Ramstein Air Force Base in Germany from 1965 to 1968. In October of 1966 the Silvers’ acquired two DIEGO’s they presently still own: “Supper” and “Girl with Pitcher.” Joy Gibson-Naffouj in Landstuhl, #Germany represented DIEGO at that time. Shown here is “Supper” (60×80 cm):

SUPPER Nr 1182 60 x 80cm

Supper” (in German “#Abendessen”). The hot main meal of the day in Germany is usually eaten at lunchtime. In the early evening as the last meal of the day one dines on bread with cold cuts and cheese. Wine or hot tea often accompany this typical dinner or “Supper”. In Diego’s rendition of the old man having ‘supper’ one observes the flame indicating it is evening, using the knife to perhaps cut some cheese or meat as his next bite, and a bread roll or “Brötchen” lies next to the plate. The glass of wine and the bottle are part of this old man’s meal. A very typical ‘supper’ in Germany in the day.

John adds, “The frames were made to look old and I don’t know who did that, but we like them. We wouldn’t sell the “Supper,” that will go to our youngest daughter Marni, who did a pencil drawing of it, which was quite good, so she loves the picture.”

An unfortunate health issue put Cindy in the Landstuhl Hospital in Germany – not far from where John worked at Ramstein AFB. She had a stroke at the young age of 29. John explained that Cindy was left with whole right side paralyzed and she couldn’t speak, caused by aphasia. Her right leg came back about 85%; but above the waist, nothing. She was finally able to speak in speech therapy when she sneezed and the therapist quickly said, “What did you say, Cindy?She said, I love you John.” She is quite a fighter and never felt sorry for herself. Cindy raised their four children: John, Lori, Marni and Kevin to adulthood and was an antique dealer in an antique mall.” John retired from the Air Force as a Major in 1972 and then again in 1999 from the Insurance business. business. Cindy and John now reside in Colorado.

John added in a later e-mail to us here at the Diego Voci Project, “Actually, I just recalled that we purchased three paintings. The other was of a Arab man with very dark eyes. The man was just shown as a head and shoulder image. The size of the canvas would be the same and the frame also the same as the two pictured above. When we returned from Germany, a Doctor saw the painting and wanted to have it for his office, so we sold it to him. That’s all I can recall about the third painting.”

Tell us your story. When and where did you purchase your DIEGO? Did you meet Diego? What did he say in his words? What did he do? Tell us your stories!     Write us at:   diegovociproject@gmail.com

GOOGLE “Diego Voci” and Click on Images.

See Pinterest: https://www.pinterest.com/diegovoci/

 https://twitter.com/DiegoVoci

AC P of W #262 3/25/2015

 

 

DRAWINGS BY #PICASSO AND #DIEGOVOCI

So you think Diego’s portrayal of feet and limbs sometimes look weird, or out of proportion?

Embracing  24 x 34 Watercolor on Paper 1979 under glass

“Embracing” was our first image at the very beginning of the Artifact Collectors Painting of the Week thread.  Remember no less than the giant artist icon Picasso did funny feet and limbs, too.

It didn’t seem to bother his art career.  Picasso’s tiny right arm is half the thickness of the left.  Use your own judgment on the legs and foot.

Works on Paper

AC P of W #248 1/5/2015

#DIEGO – Antonio Diego Voci (1920-1985)

 

#Diego Voci Project

#DIEGO – Antonio Diego Voci (1920-1985).