ALESSANDRA, DAUGHTER TO DIEGO VOCI, REMEMBERS

“When you cannot use words to let people know you what mean, use colors and draw a picture” words by Diego Voci

Alessandra & LADY as a puppy (2)

Alessandra and Lady (Diego’s favorite dog)

Alessandra shares… “I can remember when daddy was drawing when I was child. When daddy was working I often was at his side and watched him how a new painting was born. He was smoking his cigarettes and tell me stories. I learned a lot of different techniques on how to draw a picture. When daddy got a painting in his mind, he was in his own world. I learned a lot of what Art can be. He once said to me “when you cannot use words to let people know what you mean, use colors and draw a picture”. He was my personal philosopher, that was my childhood.”

Alessandra, adored by Diego, gave him enrichment of life, until lung cancer took him from her at her age 11.

To see more of Alessandra and Diego, click here https://www.artifactcollectors.com/diego-history-4330818/Page7.html#102960

 

THE #WILD #BEASTS

C61 Italian Girl Fauve #584  (ca 68)     28 x 22

DIEGO VOCI: #Italian #Girl, #584, ca 1968 28″ x 2″

#Fauvism is the style of les Fauves (#French for “the wild beasts” ), a short-lived and loose group of early twentieth-century #Modern artists whose works emphasized #bold and #strong, vivid #colors often in contrast to the area defined. Fauvism as a movement began around #1900 and continued beyond #1910.

A favorite of great #museums, fauve #painters included its leaders Henri #Matisse and Andre #Derain joined by Kees Van Dongen, Maurice de #Vlaminck, Alexej #Jawlensky and others.

View additional paintings on www.diegovociproject.com 

Diego Voci on Google and YouTube.

AC P OF W #66 6/9/12

 

#CRAFTBEER #TATOOS AND NO SMOKING

…are a runaway trend in today’s “#New_Generation”…Craft Beer Tatoos BLOG for WP 2 DEC 2014

Does the artwork of a long-dead artist fit into the lives of the New Generation”?  Tastes change with time. For example, the constant smoking of internationally collected artist Antonio “Diego” Voci (VOH-chee, 1920-1985) would not be welcome in today’s trendy gathering places where no smoking is allowed.  40 cigarettes a day shortened Diego’s life when his lungs gave up.  45 years ago, at the La Gondola in Ramstein, Germany smoking was accepted. That’s where I dined with Diego on several occasions.

A good red wine, a tablecloth with an ash tray would be Diego’s setting as he perused Italian fare on Gigi’s menu.  Diego was most comfortable with extraordinary people in an ordinary setting, playing cards on the Mediterranean with fishermen in some poor village.  Diego’s specialty was portrayal of people.

As Victoria Williams wrote in 1974: “In the South, DIEGO says, people live their lives more openly.  They are more observable.  They gather in groups to talk on the street, they play games in their yards; they sit in the parks, – lovers, strangers, the poor, the rich, mothers, fathers, children, happy people, sad people, – people who have experienced – who are experiencing.  PEOPLE … living, feeling, being… these are the subjects of DIEGO.  He interprets freely on canvas what he has experienced.”

“An Italian under the rule of the Sun DIEGO paints richly.  He is drawn to living colors – warm, bright, dramatic.  His paintings radiate.  Like DIEGO, they dominate the space around them.  They demand attention.”  

One thing has not changed.  Art remains very much in the lives of our current generation.  Tattoos today are a fine art, very personal and proudly displayed on the aficionado’s skin rather than a canvas on a wall.  (Notice on The New Yorker cover the small of the lady’s back above the belt line).

The “New Generation” is not blind to quality and value. There are about 4,000 oil paintings signed “Diego” on 2 continents and some of them are appearing at absolute bargains. So be on the lookout.

GOOGLE, “Diego Voci” for more!

Happy Holidays!

Coop Cooprider, DIEGO Historian

DIEGO VOCI PROJECT