From article: Historically underrepresented and undervalued, women artists have always made work that is innovative, impressive, and thought-provoking. Today, many institutions are giving due recognition to this fact, including the leading Nordic fair CHART, which is showcasing solely women artists in this year’s edition. Below, find a selection of highlights from the fair—launching on Artsy on August 19th—alongside a selection of paintings by new and noteworthy female-identifying artists, hand-picked by Artsy’s Curatorial team. Highlights include a colorful collage by Hayal Pozanti, a typographic piece by Turner Prize–winning artist Laure Prouvost, and Monica Kim Garza’s portrayal of full-figured nude bodies enjoying a drink at the bar.
Words from Canadian Collector James Thomson who shares his interpretation of internationally collected artist Antonio Diego Voci (1920-1985 VOH- chee) painting titled “Women Working in the Field”
“This painting was done in very Earthy Brown values of Colour. Three Women gleaning the Harvest. Vincent Van Gogh was captivated by the artistic work of Jean-Francois Millet. I believe that Diego was also attracted by Millet’s paintings of the hard working poor. Diego, I believe captured the essence of these gleaners’ painted as though they are covered by the soil that they must through to salvage wheat or other produce after a Harvest. Van Gogh’s masterpiece of “The Potato Eaters” and other harvesting paintings he did were I’m sure inspired by Millet’s body of works. So I’m very happy to have this somewhat different Oil of Women with Bowed Backs, dirty gowns and aprons foraging to collect food for their families.”
Note: this painting is the only known painting with a wax stamp. The wax stamp says “Naffouj Gallery”, who represented Antonio Diego Voci from 1966-1970
Diego Voci; “Gente Al Mare” #251-207 oil on canvas 70x50cm
The #village #women seeing their men off on a fishing excursion, leaves them alone for sometimes weeks until their return. And sometimes a terrible #storm can take the men and the #boat with it.
Diego Voci wanted to get close to really know the #fisherman, what stories their #faces told. You could often find Diego at the #village gathering place overlooking the #ocean, #playingcards with the #fisherman.
Diego loved the “creative spirit” of “Surrealism”, a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings.
Diego’s muses were women…..“A man look at woman… this is cerebral feeling. Venus is love god … who made her? In reality Venus never existed. I like for example fat woman … that’s the way I build Venus. Or I like the skinny woman … that’s the way I build Venus. If I am important enough, that’s enough to influence 90% of the world.” DIEGO, 1974.
Diego loved his visits to Paris. The title of this particular painting is “Le Sphinx”. Le Sphinx was a brothel opened in 1931 in Paris. In 1946, France outlawed all brothels. Le Sphinx was among the most expensive and best known maisons de tolérance in the Paris of the 1930s
This painting was purchased on September 9 1980 by Captain Kenneth Zielmanuski (in Ramstein, Germany). Do you know where this painting is now?? Contact email@example.com.
In this case it was quiet power of women, who make the world hold together. The words of collector Stanley & Sibylle Wilcox follow this Diego image.
Stanley Wilcox shares with the Diego Voci Project:
“The title of this next piece is titled “Bauer bei der Ernte” (Farmers at Harvest). It measures 60 x 80 centimeters without the frame. When we first saw this large oil, my wife Sibylle and I were deeply moved by the labored facial expression of the woman standing in the foreground holding what appears to be a grain basket, and the other woman bending over a large half barrel basket with a cloth grain sack. It depicts honor and respect to hard working women in what I believe to be a childhood memory in a rural setting near to where Diego was born in Gasperina, Calabria, Italy.
Hand harvesting wheat was and still is practiced on small family farms in this region. (See interesting reference article and 1950’s/60’s photo posted at Scordo.com – Italian Food Recipes and Lifestyle: “The Wheat Harvest and Memory: Returning to Calabria”.)
Note that an almost identical scene is depicted in the background, strengthening the paintings depth and visually balancing the piece. The men are outnumbered 2 to 1 and are merely serving the role of overseeing the harvest in what I interpret as diminished supervisory capacity influenced by the overwhelming endurance of these women.”
“A man look at woman… this is cerebral feeling. Venus is love god … who made her? In reality Venus never existed. I like for example fat woman … that’s the way I build Venus. Or I like the skinny woman … that’s the way I build Venus. If I am important enough, that’s enough to influence 90% of the world.” – DIEGO 1974
Help us celebrate all women – it is #WomensHistoryMonth
View just a few of the “BEAUTIFUL” Women by DiegoVoci™: