Although everyone called him “Diego” in 1960 he signed Antonio Voci, as in the previous blog containing his registration in #Paris https://diegovociproject.wordpress.com/2015/08/19/paris-forced-diegovoci-to-register-to-save-helgas-health/ to stay by Helga’s side as she recovered in the Paris Hospital.
Notice the signature on the painting below “D.Voci”, part of the transition from “A. Voci”. Both would vary on Diego’s art until 1965 when he used “Diego” signature for the last 20 years of his life.
Here is a sample of the Moroccan paintings referred to in Helga’s biography https://diegovociproject.wordpress.com/2015/08/19/helga-in-a-paris-bistro/ in the previous blog.
This painting is believed to have been found in a warehouse.