#DIEGO’s Clowns and Children

This month in the DIEGO_VOCI NEWSLETTER, Stephen Max, DVP Producer, shares with you his thoughts on #Clowns and #Children, both subjects that Antonio DIEGO Voci never tired of putting to canvas. Here are two that were discovered this August! Click on the Newsletter link below our 2 excellent DIEGO images. There is a BONUS video, too!

Read more and watch the “Children” video by Stephen Max: https://mailchi.mp/00bb428bdeff/children-clowns-children?e=%5BUNIQID%5D

Contact us if you too own a DIEGO #artwork: diegovociproject@gmail.com

See more #CLOWNS here: https://www.pinterest.com/diegovoci/clowns-diegovocitm/

DIEGO VOCI “ARTIST OF A THOUSAND FACES”

Der Monch #1151-397 oil on canvas 60x70cm

“Der Mönch”, by Antonio DIEGO Voci, 70 x 60 cm, Oil on Canvas, #1151-397

Larry Martel in #Heidelberg, Germany bought “Der Mönch” on Thanksgiving Day. The monks seems to be saying to the artist, “Who is the guy, Diego? Are you sure I can trust him?” Diego’s wife Helga captured this Diego memory on canvas with her polaroid camera in 1975, since faded.

Click to view “Faces” on Pinterest:
https://www.pinterest.com/diegovoci/faces-diegovocitm/

Visit the Monthly Newsletters on Diego Voci Project: https://www.diegovociproject.com/archived-newsletters

 

Where is “Scena di Maroco” now?

Scena di Marco 361-480 Kibildis 50x60cm

Diego Voci; “Scena di Maroco” oil on canvas; 50x60cm

Back in 1976, at Patrick Henry Village in Heidelberg, Germany, Anna Kibildis purchased this Diego Voci painting titled “Scena di Maroco“.

Who owns this painting now?  Where is this painting?

Our all volunteer team is cataloging all of Antonio Diego Voci’s works of art with the official Diego Voci Estate Archive. Any information on the whereabouts or owners of this painting, please contact us at diegovociproject@gmail.com

To the see the trail of work visit, https://en.wikipedia.org/wiki/Antonio_Diego_Voci

 

ANOTHER STOLEN #DIEGO™ PAINTING!

Actually it was a #legal steal auctioned on April 30 2016 at a price way to low! Estimate was $300-$500 for this #gouache signed Diego Voci 30” x 25” framed.

Harlequin and Three Children Image

On the back “Harlequin” – (left) was written

Prof Diego Voci

No 947-UTT?

DM 600 PAID

DR SIEGEL MD

 

Helga Voci, Diego’s #widow thought the date of painting to be “time of #Naffouj Galerie or before”.  Actually it was not.  There were no paintings signed “Diego™” until Dr. Jawdat Naffouj and Joy Naffouj made a #contract, that’s when the “Diego” signature began.  This artwork was after Naffouj probably sold by Galerie Dahms. Our records at the DiegoVoci™ Archive notes Diego experimented with everything; cooked #glass paint, #sand based canvas and yes, #roller brush.  The Diego™ gouache was done circa 1973, a time when he experimented with a small roller brush, typical for painting walls.

“Three Children” is another roller brush example, signed Diego, Schwetzingen* 1973.

(*Their home/studio near Mannheim and Heidelberg).

Coop Cooprider

Diego Voci Historian

Authorized Agent for DiegoVoci™ Estate

“MY LIFE TOOK ON NEW MEANING, I BECAME MORE” (After DIEGO met Helga DRÖSSLER, January 1960)

“HELGA and DIEGO” by Helga Voci

Chapter 5   #Wiesbaden, #Germany. 1968 Marriage in #Denmark.

“In Spring 1965 Diego wanted to go to #Germany and we came to #Wiesbaden where he had been living for sometime with Josiane, his ex-wife.  We both liked Wiesbaden, so we rented an apartment in #Sonnenbergerstrasse. It was a beautiful place, we got it for a very low price, but had made a contract for 5 years and agreed to renovate it. So for at least 6 months we were living in the middle of sand, concrete, and tiles. But at the end we had a beautiful high ceiling living-room with open fireplace, fantastic new bathroom and a beautiful Studio. We had hand-painted and gold-plated dining-room furniture which I still have today and many beautiful paintings.

In this period #Diego found the Gallery Dahms in Wiesbaden where he exhibited and sold many paintings. He still made caricatures from time to time in #Wiesbaden, #Heidelberg and #Ramstein. There he met Joy Naffouj, a Canadian gallery owner, who was exhibiting different artists in an art show. She was very interested in Diego’s work, so he started to give her some paintings and drawings on commission.

Since his work was selling very well, they both made a contract: so many paintings for so much money per month.  I believe this was when #Diego began signing with the name”Diego.” Before he had mostly signed A.Voci (Antonio Voci) or D.Voci (Diego Voci). It worked quite well.

Helga and Diego Wedding Jpeg

We finally decided to marry, which we did in January 68 in #Denmark. As #Diego did not have to bother anymore about how to sell his paintings, we decided to spend the winter in the Canary Islands. We took our car in December 1968, with lots of canvases and paints of many colors. We went to #Barcelona and took the boat to Puerto del la Cruz (#Tenerife). We rented a little house on top of a big house with a very big terrace. We had a beautiful view over the ocean. We had wonderful 6 months. #Diego painted each day. Once a month we made a roll of the canvases and sent them to Joy and Jadat Naffouj in #Landstuhl, Germany.

In March 1970 the contract of our apartment in #Wiesbaden finished, the house was supposed to be sold, so Diego had the idea to move to Italy. In March 1970 we ordered a shipping company, deposited our furniture in #Bavaria at my parents` place and left for #Italy. We went to several places and finally rented a villa in Riccione at the Italia Adrian seaside. Diego was painting and still sending his paintings to Naffouj Gallery.”

AC DV History #38 6/15/2010

AC DV History #158 11/20/2013

#PORTRAITS? “THAT IS NOT #ART,” Diego Voci, 1974

Image

Diego felt his creativity was confined in portraits. #DiegoVoci deeply resisted the restriction. What about caricatures? Diego said,“They are fun. I can be creative.”

John, age 9 and Mitch, age 5 1/2 (1976) by #Diego

In 1976 Frank Freeman somehow convinced Diego to do portraits of his two sons John and Mitch. Frank and his wife had met – and seen Diego several times while living  in #Wiesbaden, Germany. They had even bought a “Landscape” from Diego in Schwetzingen (#Heidelberg area in 1974). See the Freeman’s and other #landscapes on our Pinterest “Landscape” board: https://www.pinterest.com/diegovoci/landscape-gallery/

One day Frank visited “Galerie #Dahms” in Wiesbaden’s fancy Wilhelmsstrasse shopping district and saw a portrait of a young girl. Frank named her “Principessa” as it was unknown who she really was. Diego had  used “pastel and felt-tip on posterboard” to capture the young girl. “It was a commission, that was refused by the ‘buyer’ stating ‘It doesn’t look like my daughter’!”

Having not forgotten the exquisite portrait, for Frank it was “the inspiration for asking Diego to do my boys – over his protestations!” Just months before Frank and his family were due to return to the United States he commissioned Diego do portraits of his sons, John and Mitch, then 9 and 5 ½.

John, age 9 and Mitch, age 5 1/2 (1976) by #Diego

On a Sunday afternoon in mid-July 1976, I took the boys to his Wiesbaden home (Taunusstein), where Diego spent about 15-20 minutes capturing each boy’s likeness.” Frank recalls, “when I got home, I began to see the “Principessa’s” father’s viewpoint . . . the portraits weren’t really as the boys looked.” But “3 years later, comparing the boys to their portraits, they were EXACT likenesses!!! Diego had envisioned the boys as they would look a few years later. THEY matched what he had drawn!! Prescient!!”

A few days before leaving Germany Frank recalls to his surprise, “I got a call from Siegfried DAHMS, owner of the gallery, who informed me that DIEGO had instructed that I be given the portrait of “Principessa” in appreciation for our patronage.” Frank owns it.

“Principessa” Unknown Subject, “Who am I?” Diego drew me in 1974.

To this day, it is a mystery as to who the young girl may be. Frank hopes that someone out there may see this post! Do you know who she is?

Another rare portrait done in charcoal and pastels by #Diego of Mike Kennedy’s mother in the early 60’s can be seen: https://diegovociproject.wordpress.com/2015/01/19/mothers-portrait-by-diego-and-new-generation/

Do you own a portrait by Antonio #DiegoVoci? Tell us: diegovociproject@gmail.com

Search DIEGO VOCI on YouTube and Google!

#ART by Diego #Rivera and Diego #Voci

Both Diegos were fascinated by the people around them.

Both Diegos were considered #figurative artists.

Both Diegos portrayed the working class.

BLOG POST VERSION for Social Media and P of Wk 15 APR 2015

WHICH is WHICH?

Search Google: “Diego Rivera Paintings” AND/OR “Diego Voci Project”

Be sure to CLICK on IMAGES in tool bar for both Google results.

Find a plethora of #masterpieces by both #Diegos.

Tell us WHICH is WHICH: diegovociproject@gmail.com

See more #Diego_Voci Art: https://www.pinterest.com/diegovoci/

Missed a Painting of the Week? www.pinterest.com/diegovoci/painting-of-the-week/

AC P of W #264 4/15/2015

DIEGO VOCI EMPATHIZES WITH POOR PEOPLE

Human beings are drawn to emotions in a form of expression that Diego did so well in his portrayal of people on canvas.  Diego empathized with people of lesser means and told their stories with his brushes.  No holding back, Diego captured the raw human face in his works to share the beauty of all walks of life.

The Silvers Family of Colorado shares their “Girl with Pitcher” with the Diego Voci Team, a painting completed during the Joy (Gibson) Naffouj time period.  Joy Naffouj in conversation with Diego one day said “Everyone knows you as Diego… you need to be signing your paintings Diego”.  That was the beginning of the Diego Voci Legacy (1965).

GIRL WITH PITCHER 60 x 80 cm

“Girl with Pitcher”, 31 ½” x 24”, oil on linen

Also see Diego’s “Supper” from the Silvers’ collection: http://www.artifactcollectors.com/diego-voci-painting-of-the-week-5154118/Page9.html#263

AC P of W #263 3/30/2015

WE ARE ON OUR WAY TO MAKING #DIEGO VOCI ( VOH-chee) … A #CELEBRITY!

DIEGO Dancing in Front of Fireplace he Sculpted FOR BLOG 2 DEC 2014

The world is infatuated with #celebrities.

But, don’t tell #DIEGO, we’re making him a #celebrity.  Diego said,

You want to make me something in the sky with wings…go ahead.

You want to make me famous…go ahead.  But, this is  not my life.” -1974

#Vincent_Van_Gogh whose works were rejected during the #artist’s troubled lifetime would have gladly traded places with Antonio DIEGO Voci who in his lifetime (1920 – 1985) sold thousands of #paintings.

In 1973, Siegfried Dahms owner of #Galerie Dahms on the prestigious #Wilhelmsstrasse in #Wiesbaden said,

We cannot get enough DIEGOs for our collectors. 

He is exactly the taste

of the #German people.”

 #Diego died at home December 10, 1985. Diego’s studio/residence was nearby to Galerie Dahms in Taunusstein where his widow #Helga #Voci still lives today.

Google “Diego Voci” to see more. Prepare to be amazed.

DIEGO INSPIRES THE NEW GENERATION

Recollections of DIEGO VOCI by Susan Max, daughter of Stephen and Wendy Max follow below. Susan is the proud owner of “Jeune fille avec chapeau fleuri”Jeune fille avec Chapeau Fleuri 291-921 belongs to Susan Max

“As a young girl living in Germany I had the rare treat of going to meet a REAL artist. I was so excited! His name was Diego Voci and at first sight I recognized Diego’s charisma. My nervousness subsided as he drew us into his world with his exceptional interest in each of us. He was very interested in the fact that both my middle brother and I read and played instruments. Diego upon learning or our musical training removed a napkin and drew a treble clef on it asking us to explain what the clef symbol was and a sheet of music he had.

What struck me was that during this visit the house he lived in was a cornucopia for the imagination. He graciously took us through the living and working areas and I seem to recall an easel with unfinished work set up in the studio.

I remember DIEGO as a man that displayed so much interest in the world around him. I also remember him saying that you could paint with color, light and canvas. He had the ability to instantly draw you into his world and to include you into it. Much of my memories are that of an observer being let into a brilliant artists life.

I remember how he also mentioned that I reminded him of a young girl and how my face shape was so similar. I remember being transfixed at the beautiful colors and the huge easels with work yet to be finished.

On asking him when he painted, he responded then that he never knew when the urge would present itself and then as we were leaving Diego left and went into the studio where he started to paint.

I am so lucky to be influenced by such a brilliant and still current REAL artist.”

Susan Max, Toronto, Canada                                                         (https://www.facebook.com/zenphotocafe)

For more images of DIEGO’s artwork and his masterpieces see Stephen Max’ newly published book The Beauty of Diego : http://www.blurb.com/books/5419805-the-beauty-of-diego

AC DV History #187 11/29/2014